Her research, between liveness and the digital, the tangible and the virtual, the human and nonhuman,
utilizes a set of feminist “learning by doing” methods
(participatory practices, somatics techniques, multimedia performance iterations)
that place the body as the primary sensingrecording-relating apparatus.
The research aim is to formulate an understanding of how the digital and the visual are subjectively experienced and how collective narratives/imaginaries can be co-performed and embodied
within the current networked communication landscape.